DAY 27 of 27: Garrett Quinn
1. JG Faherty presents “The H Train”
2. Edward M. Erdelac presents “Hear The Eagle Scream”
3. Rebecca J. Allred presents “Mother’s Mouth, Full of Dirt”
4. Jay Caselberg presents “The Ride”
5. John M. Floyd presents “The Red-Eye to Boston”
6. Tom Johnstone presents “Oldstone Gardens”
7. Bentley Little presents “The Plumber”
8. Darren O. Godfrey presents “D.U.I.”
9. Carole Johnstone presents “Better You Believe”
10. David Tallerman presents “Casualty of Peace”
11. Kathryn E. McGee presents “The Creek Keepers’ Lodge”
12. Jeffrey Ford presents “Five Pointed Spell”
13. Sean Eads presents “Predestination’s a Bitch”
14. Dean H. Wild presents “The Gaff”
15. Stephanie Bedwell-Grime presents “The Night Truck”
16. C. Michael Cook presents “The Night Crier”
17. Josh Rountree presents “Snowfather”
18. Jayani C. Senanayake presents “Kalu Kumaraya (My Dark Prince)”
19. Marc E. Fitch presents “The Starry Crown”
20. Connor de Bruler presents “Il Mostro”
21. Raymond Little presents “Elsa and I”
22. Lucas Pederson presents “We Were Monsters”
23. Ahna Wayne Aposhian presents “Old Hag”
24. Vitor Abdala presents “Instant Messaging”
25. Jackson Kuhl presents “Cartagena Hotel”
26. Garrett Quinn presents “I’ve Finally Found You”
27. Thomas P. Balázs presents “Waiting for Mrs. Hemley”
EXCERPT:
“My husband says I’m always late,” Mrs. Hemley says. “But it’s not
true. I’m not always late. Sure, today I got a little behind. The alarm didn’t
go off, and I couldn’t find any clean clothes, and I had to stop for gas on my
way in, and the pump wasn’t taking my card, and then I got distracted and
missed my exit, but I’m not always
late.”
I don’t say anything because it’s not my role to judge. This is a
“safe space,” as Miles used to say. Besides, it’s less important to establish
the so-called truth of the situation than to examine the patterns of narrative
Mrs. Hemley constructs and how, like the sun, she directs the movement of those
who orbit around her like satellites of her psychic life, her husband and her
children, who reflect back to her the stories originating in her own sense of
self-worth, collective constructions confirming beliefs lodged in the deepest
core of her being, that she is somehow incomplete, less than.
This being the case, I feel compelled to note
for the record that, insofar as our sessions are concerned, Mrs. Hemley is, in
fact, always late!
— Waiting
for Mrs. Hemley by Thomas P. Balázs
ABOUT: Thomas P.
Balázs
Thomas
P. Balázs is the author of the short
story collection, Omicron
Ceti III (Aqueous Books, 2012). His
fiction has appeared in numerous journals and anthologies including The
North American Review, The Southern
Humanities Review, and The Robert
Olen Butler Prize Anthology. His work has
been nominated for the Pushcart Prize, Best New American Voices, and the AWP
Intro Journals Project Award. He was awarded the Theodore Christian Hoepfner
Award for best short fiction 2010. He teaches creative writing at the
University of Tennessee at Chattanooga. http://thomasbalazs.com
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